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Tune-Yards - Water Fountain Lyrics. No wood in the wood stalk. In the final decade of the 21st Century, men and women in rocket ships landed on the moon. A lyrical round-and-round and round and round. Everything Indie Music related; from the newest releases and news, to discussion on the history of alternative music.
The track is lifted from their upcoming new album 'sketchy'! This is particularly relevant given her own position as an up-and-coming "indie" star, legitimate talent, and white female appropriator of the music of Africa and the Diaspora. Much attention was given to w h o k i l l's singles, "Bizness" and "Gangsta. " Although Garbus and Brenner have created a strong response to w h o k i l l, the first half of the album is considerably more packed with memorable moments than the second half, and overall there is not very much new there. 13 Kyra D. Gaunt, The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop (New York: New York University Press, 2006), 2. Textures, like conversations, become thickened by the polyphony of overlapping voices and then suddenly dissipate just as quickly as they amassed. TUnE-yArDs, 'Water Fountain'. Do it til you disappear. American Music Review. NO WOOD IN THE WOOD STALK. Scheduled start: 8:00 PM. No side on the sidewalk (A lyrical round-and-round-and-round-and-round).
In this song in particular one really feels transported to the playground, "Miss Mary Mack" hand claps and all. Garbus worked on the project with bass player Nate Brenner at a studio in Oakland, California. And a two-pound chicken tastes better with friends. Please check the box below to regain access to. Why do we just sit here while they watch us wither til we"re gone? This is Tune-Yards all over; a batshit crazy but ultimately brilliant wall of noise. This is suggested in lyrics such as "Bang-bang, boy-ee/Never move to my hood/'Cause danger is crawlin' out the wood. " With its hopscotch feel and clave propulsion, the single "Water Fountain" directly follows. We′re neck and neck and neck... No phone in the phone booth. Yet this is exactly what Garbus and bassist/collaborator Nate Brenner have in mind for their project, tUnE-yArDs, as they write songs that are machinic, sporadic, and at times frightening, yet simultaneously warm, exuberant, and carefree. 01 Leeds, Cockpit *. Emphasis in original.
In 2012, it was named the number one album of 2011 by critics in The Village Voice's annual "Pazz and Jop" poll. Merrill Garbus writes music from the rhythms of social experience. NO PHONE IN THE PHONE BOOTH. TUnE-yArDs Concert Setlists & Tour Dates. Kim Kardashian Doja Cat Iggy Azalea Anya Taylor-Joy Jamie Lee Curtis Natalie Portman Henry Cavill Millie Bobby Brown Tom Hiddleston Keanu Reeves. Alta, about a million years from now the human race will have crawled up to where the Krell stood in their great moment of triumph and tragedy. But there's more than enough ideas bubbling up from under "Water Fountain" to suggest Garbus and Brenner have easily staved off a third-album drought. La suite des paroles ci-dessous. 16 Nina Liss-Schultz, "tUnE-yArDs Went to Haiti, and All We Got was this Brilliant New Album, " 28 April 2014, accessed 2 May 2014, - 17 The fifth track, "Look Around, " also establishes a groove outside of the normative pop/rock 4/4 as it slouches in a Spiritualized-ish 9/4. 'Nikki Nack' is released on 6th May through 4AD.
Almost at once there followed the discovery of hyperdrive through which the speed of light was first obtained and later greatly surpassed. Try our Playlist Names Generator. The song has been interpreted by some as a commentary on the decline of the singer's community and others as being about worldwide water shortages. "Water Fountain", the first single from the forthcoming Nikki Nack, finds Garbus and bassist Nate Brenner engaged in a lively round of double-dutch, tossing schoolyard chants against percolating rhythms. Garbus currently lives in Oakland, and even in the days before the arrival of notoriety, she likely faced fewer financial and social obstacles than the majority of those around her. The first lyrics heard on the album are "My country, 'tis of thee/Sweet land of liberty/How come I cannot see my future within your arms/Your love it turns me down/Into the underground/My country bleeding me; I will not stay in your arms. " Nothing much to do when you′re going nowhere.
Everything I caress, would you, would you. Showing only 50 most recent. Hey hey hey hey hey. "Nothing feels like dying like the drying of my skin and lawn, " Garbus sings early on; soon, she finds herself with a fist around her neck. It's true, it will remind us that we are, after all, not God.
16 "Left Behind" similarly engages a politicized critique of power structures through its text while simultaneously being sonically playful ("Nikki Nikki Nack"/ "We said we wouldn't let 'em take our soil/ These days don't it just make your blood boil"). You will ride the whip, you'll ride the crack, no use in fighting back. This text may not be in its final form and may be updated or revised in the future. I can't seem to feel lonely, lonely, lonely, the cold steel. So listen to the words I say, baby. 18 Dan Weiss, "tUnE-yArDs Uses her Lungs, " The Village Voice, 7 May 2014, accessed 1 May 2014,. The songstress contributes $1 from every ticket sold on tour to the fund, as well as a portion of revenue from sales and licensing of Nikki Nack. The spontaneity of individual and communal expression is rarely captured adequately in the pop format, and if successful attempts can be located they are typically far removed from the use of musique concrète, electronic percussion loops, disjunct melodies, and lyrical non-sequiturs. "I was having a lot of anxiety about water in my own community, where there has been a huge drought, " Garbus told Billboard magazine. 5 A great many tUnE-yArDs songs—particularly on w h o k i l l—contain the words blood, bleed, or bled. Anyway, please solve the CAPTCHA below and you should be on your way to Songfacts. A blood-soaked dollar.
26 Brighton, Concorde 2 *. TUnE-yArDs is the music project of New England native Merrill Garbus. No phone in the phone booth. Minimum order quantity for this product is 10. 2 With a snare drum on her left, a floor tom on her right, a ukulele at hand, and electronic toys such as the Boss RC-2 looping pedal, Garbus embarked on a national tour of her own design, eventually catching the ear of 4AD.
As Sasha Frere-Jones wrote shortly after the release of w h o k i l l, "Garbus needs none of the fetishized authenticity of [BiRd-BrAiNs's] lower fidelity to charm anybody: she is a musician of startling range, and a better recording of her is simply better music. " Nationhood here is potentially conflated with sexual preference and the United States's ambivalent attitude towards the subject. He gave me a dollar, a blood soaked dollar. Lines like "If you just press your fingers down under my skin (go on and do it)/Lift up, dig up, dig up and bleed for me/I say, I'll bleed if you ask me/I'll bleed if you ask me/That's when, that's when, he said no" thematize victimization, perhaps of a sexual nature, while reversing normative gender performativity. By Michael P. Lupo, CUNY Graduate Center. Anything make ship [? And I know where to find you.
Then, having reached the heights, this all-but-divine race perished in a single night, and nothing was preserved above ground. 6 For example, see Caitin White, "Album Review: tUnE-yArDs—Nikki Nack, " Consequence of Sound Album Reviews, last modified 6 May 2014, - 7 The most typical sources by far were the LPs made by Colin Turnbull and Simha Arom in the 1960s and 1970s. Nikki Nack is also more lyrically dense than its precursors, but the additional text has little effect on the songs' messages or meanings. Wouldya wouldya wouldya listen to the words I say? Great Music Lives Here.